By Herbert Grabes
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Extra resources for Making Strange: Beauty, Sublimity, and the (Post)Modern ''Third Aesthetic'' (Postmodern Studies)
In contrast to 18 Critique of Judgement, § 48, 180. 16 MAKING STRANGE u the experience of the beautiful, where the reader and viewer are in the first place truly “recipients” of what is presented, the aesthetic of the strange demands a considerable amount of effort. At the same time, however, one element of the pleasure which does in the end result from this is an increased belief in one’s own ability to solve problems, a strengthening of one’s self-confidence. In contrast to the aesthetic of the sublime, this subjective increase in power, this increased awareness of one’s own abilities, is not achieved by means of a momentary consideration of moral ideas, of the basic superiority of humans as rational beings over everything which can be perceived by means of the senses, at least not as a rule.
B. ). ). ”22 Of great importance for theoretical reflection on the new aesthetic of the strange was the the concept of alienation as developed by Russian Structuralists. ” It is even more astonishing that despite this, aesthetic theory continued to take recourse to the aesthetics of the beautiful and the sublime, even though what is characteristic of both is the suddenness of perception. The Provocative Expansion of the Definition of Art: Dada and Ready-Mades The extent to which recent art aimed for a provocative estrangement of the familiar is quite apparent in Dadaism.
The Dadaists also put much energy into the publication of innumerable manifestos. Nearly all of them wrote some, above all Tristan Tzara. The titles alone were in keeping with the spirit of Dada – for example, La Deuxième aventure céleste de M. Antipyrine or Cinéma calendrier du coeur abstrait – and the contents lived off the shift back and forth between the presentation of irrational principles in comprehensible language, totally incomprehensible passages, and metafictional reflections on the writing of manifestos which totally contradicted the manifesto itself.
Making Strange: Beauty, Sublimity, and the (Post)Modern ''Third Aesthetic'' (Postmodern Studies) by Herbert Grabes