Read e-book online Larry Coryell: Jazz Guitar PDF

By Larry Coryell

ISBN-10: 0879305509

ISBN-13: 9780879305505

This functional publication with CD is helping guitarists increase their skill to play over adjustments, larger comprehend jazz concord, and extend their jazz vocabulary. utilizing examples from his personal stories fidgeting with many famous musicians, most sensible fusion guitarist Larry Coryell offers dozens of musical routines - plus unique compositions - that problem guitarists to extend flexibility of their considering and taking part in. issues contain: new techniques to taking part in accompaniment ("comping"); integrating chords and scales in jazz solos; examining chord alterations; and improvising - the paintings of constructing song spontaneously with different gamers.

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Ex. 6 < previous page page_32 next page > < previous page page_33 next page > Page 33 < previous page page_33 next page > < previous page page_34 next page > Page 34 In bars 13, the thinking process goes like this: Start by splitting the F7 into Cm7-F7, then extend those chords into E maj7, F9, Cm/maj7, Cm7, F9#11, and so on. With the Cm/maj7 and F9#11, we go briefly into the C jazz minor mode, C Dorian's neighbor. The example also goes out of the mode for an instant in the 2nd bar, 3rd beat with the descending Gm7 to G m7 (out of the mode right there) to the F7sus4 (back in).

Ex. 6b runs the scales. 6b has an E both notes workthat's the nature of dom7 9. Ex. 6a Ex. " Now go back and try your own solo ideas on this change-laden minor bluesyou've got my support track on the CD, so take as many passes as you like until you start getting somewhere. Now let's look at another chord progression that uses more II-Vs. " Ex. 7 (lesson continues on next page) < previous page page_43 next page > < previous page page_44 next page > Page 44 Bireli Lagrene, Richard Bona, and Billy Cobham with Larry in 1997.

1 < previous page page_35 next page > < previous page page_36 next page > Page 36 Now let's look at ''Turkish Coffee," a minor blues, with a chord for every beat (except the last half-measure). Ex. 2 < previous page page_36 next page > < previous page page_37 next page > Page 37 (lesson continues on next page) < previous page page_37 next page > < previous page page_38 next page > Page 38 < previous page page_38 next page > < previous page page_39 next page > Page 39 Wow, that's a lot of changes, you say.

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Larry Coryell: Jazz Guitar by Larry Coryell


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