By Paul Bail
This is the 1st book-length learn of best-selling author John Saul's mental and supernatural thrillers. writer Paul Bail compares John Saul's novels to a cocktail: (mix) one half
Each bankruptcy during this examine examines someone novel. The novels are analyzed for plot constitution, characterization, thematic components, and their courting to earlier and later novels by way of Saul. additionally, Bail defines and applies a spread of theoretical methods to the novels―feminist, deconstructionist, Freudian, Jungian, and sociopolitical―to widen the reader's point of view. Bail indicates how John Saul enlarged his repertoire from tales of supernatural ownership to science-fiction established horror. a whole bibliography of John Saul's fiction and a bibliography of studies and feedback entire the paintings. as a result of John Saul's nice recognition between young children and adults, this distinctive learn is an important buy through secondary institution and public libraries.
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Extra info for John Saul: A Critical Companion (Critical Companions to Popular Contemporary Writers)
Possibly the most brilliant example of a generically hybrid novel is William Hjorstberg's Falling Angel (1978), which combines the hard-boiled detective atmosphere of Raymond Chandler with Louisiana voodoo and the Dr. Faustus theme of bartering with the devil. Hjorstberg's novel has the distinction of being the first mystery in which the detective, the victim, and the murderer are all the same person. A final method of coping with genre burnout is to make fun of the standard conventions, as Roman Polanski did in his movie The Fearless Vampire Killers, or, Pardon Me, but Your Teeth Are in My Neck (1967).
Apparitions lure individuals into dangerous places, inspire tortuous nightmares, or suggest violent deeds to people. In Bram Stoker's Dracula (1897) the vampire exerts a supernatural influence on his charges from a distance. John Saul's early supernatural stories deliberately inhabit a nebulous borderland between outright tales of supernatural possession and influence and psychologically oriented stories of split personalities. Elizabeth 30 John Saul in Punish the Sinners and Melissa in Second Child appear to be possessed by a spirit, but there are also psychological dynamics at work.
British novelist Jane Austen satirizes the predictable Gothic cliches, props, and gimmicks in her novel Northanger Abbey, published in 1817: an uncannily fascinating portrait, a secret passage, strange hints from the housekeeper, and a lamp whose flame dies out at the worst moment, The Horror Genre 21 leaving the heroine in total darkness. Although Radcliffe's works are rarely read except by scholars, the familiar classics Jane Eyre (1847) and Wuthering Heights (1847) by the Bronte sisters, published forty years after the height of the Gothic craze, are still within the broad sweep of that tradition.
John Saul: A Critical Companion (Critical Companions to Popular Contemporary Writers) by Paul Bail