By Erwin Panofsky
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Extra info for Galileo as a Critic of the Arts
Mercurio e Venere ... si girano intorno al sole"; cf. also the letter of June 13, 1613, just quoted. is, unfortunately, five, not four. However, only a year or so ago, Galileo Galilei, "gentleman from Florence/' had discovered the perfect model for Agucchi's impresa, "most beautiful and most similar but, after having been elaborated with divine art by the Eternal Workman and created in an instant, hidden from mankind up to the present": the satellites of Jupiter. Thus Agucchi's treatise, departing from its highly metaphysical course, trails off into a long discussion of Galileo's telescope (the magnifying power of which is correctly stated as ca.
Which tetrad corresponds to Mind, Soul, Nature and Matter (or, in the human being, Body) both in a 39 cosmological and in an anthropological sense (fo1. ); and the hierarchy of these - neo=Platonic - spheres of being can be expressed by "a circular figure consisting of four circles that have the same center," circles and center being connected in such a manner that innumerable radii, emanating del mezzo, transmIt to the peripheries - and thereby diversify - the unified goodness of God (fo1. ).
Dirlo, il rilevo visibile della scultura, vi ha ella i colori naturalissimi, de' quali la scultura manca. Resta dunque che la scultura superi la pittura in quella parte di rilevo che e sottoposta 1 Through the kindness of Professor P. o. Kristeller I learn, too late, that the authen= ticity of Galileo's letter to Cigoli has already been vindicated, a fact apparently overlooked by Olschki as well as Chiari, as early as 1922: Margherita Margani, "Sull'autenticita di una lettera attribuita a G. Galilei," Atti della Reale Accadernia delle Scienze di Torino, LVII, 1921 -1922, p.
Galileo as a Critic of the Arts by Erwin Panofsky