From Monet to Cézanne: Late 19th-century French Artists by Jane (ed) Turner PDF

By Jane (ed) Turner

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His progressive integration of the figure into the and naturalism. The constant search in of the After (Little Italian painting the Grenoble, Mus. Peint. Street Singer and The priv. cols). ), Bazille (1868; combined luxuriant composition with a sensuous model in balanced The Toilet and the Negress with Peonies (both 1870; composition led him to simplify forms and give Montpellier, Mus. Fabre). These pictures recalled priority to light colours. for The View of a Village Manet's Olympia (1863; Paris, Mus.

By and the late 1850s his reputation as a portrait painter (1858; exh. Salon 1859; Nantes, Mus. ) gave had been established. The State continued to buy work and award him the various grades of the Legion d'honneur. Baudry began doing decorative work in 1857 with the commission for an way, in later works such as his Noirmoutier-en-lTle, Mus. Chateau), to a lighter, overdoor for the Hotel Guillemin, Paris, followed of his friends by paintings in 1858 for the Hotel Paiva (now see 1986 exh. , p. 104) solid more colourful touch Amor and Psyche (1884; that anticipates the work of Paul Albert Besnard.

4/5 (1977-8), PP- 35-6i Bibliography Lami L. G. Weisberg: 'Francois Bonhomme and Early Realist Armagnac: Bonnassieux statuaire A. Le (Paris, 1897) Normand: La Tradition classique et Vesprit Images of Industrialization, 1830-1870', A. , 54 romantique: Les Sculpteurs de VAcademie de France (April 1980), pp. 132-4 Rome de The Realist Tradition: French Painting and Drawing, 1830-1900 (exh. Mus. cat. , 1981), pp. A. Le Normand-Romain: 'Six Esquisses La Sculpture francaise au JAMES P. W. du sculpteur Bonnassieux', Rev.

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From Monet to Cézanne: Late 19th-century French Artists by Jane (ed) Turner


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