By Robert L. Carneiro
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Extra info for Evolutionism In Cultural Anthropology: A Critical History
Soave era l'amare dcntro Ie grotte azzurre This text offers the richest parallels with Lul. It explains "la voie lactee" ( found also in Pip e ) , and Golaud 's sword is an object vital to the story. Buzzi does not mention the visit to the substructure of the castle, and Maeterlinck's play does not use the words we need for "les degres sont glissants : " The expression "je flambe" appears in different contexts in violets des reves," p. 23 ; "Ie mal des songes afilue," p. 51 ; "l'eau du songe qui s'eleve," p.
La place ou respire et hurle la victime souf frante, et se retire a l'ecart pour ne pas etre temoin de la rentree des dents pointues dans les veines roses ... De son ventre dechire, Ie sang coule ... " Rim baud's sadism never arrives at this intensity ( " J 'ai assis la Beaute sur mes genoux ... Et je l'ai injuriee-Je serai oisif et brutal-J'ai fait Ie bond de la bete feroce" ) . Lautreamont's method is closely related to the presentation of Onirocritique. In part 59, at the end of the work, he writes : "Pour con struire mecaniquement la cervelle d 'un conte somnifere, il ne suffit pas de dissequer des betises et abrutir ...
Au fond des mers" are merely occasional images. In Le Printemps we find "les genies des grottes, " but no context. mes ... sur l'ecueil de Scylla, " which is not p articularly distinctive, and was perhaps suggested by Marinetti, who tells of flying over Messina and Etna. , Oeuvres, p. 334 ) Verhaeren may well be the origin of certain elements in Marinetti's La Grotte amoureuse, and of the general theme, as it appears, for in stance, in A Claude Debussy, a poem by the futurist Paolo Buzzi ( 8xii ) : a colleague of Marinetti's.
Evolutionism In Cultural Anthropology: A Critical History by Robert L. Carneiro