Download e-book for kindle: British Labouring-Class Nature Poetry, 1730-1837 by B. Keegan

By B. Keegan

ISBN-10: 0230536964

ISBN-13: 9780230536968

ISBN-10: 0230583903

ISBN-13: 9780230583900

This examine indicates how poets labored inside of and opposed to the on hand kinds of nature writing to problem their position inside of actual, political, and cultural landscapes. the therapy of other ecosystems, it argues that writing in regards to the atmosphere allowed labouring-class poets to discover very important social and aesthetic questions.

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Extra info for British Labouring-Class Nature Poetry, 1730-1837

Sample text

For Bloomfield, poetry is a part of nature’s economy, as much as corn or sheep or manure or the farmer’s labour – or any other thing that sustains the productive and self-renewing interaction between the human and the non-human world. Poetry too sustains that economy and can keep it healthy. Bloomfield made this argument literal late in his career in the frame tale for the poems included in May-Day with the Muses (1822). In this poem sequence, the good Sir Ambrose allows his tenant farmers to pay their rent with poetry.

By creating the garden and the poem about it, Fisher and Aram demonstrate their fitness to appreciate nature’s beauties through their abilities to create them, implicitly raising themselves to an equal footing with the landowner. 42 British Labouring-Class Nature Poetry, 1730–1837 Other labouring poets turned to a more celebrated garden to explore questions of legitimacy, hierarchy and their social standing as self-taught poets. Richmond Park and Kew Gardens provided a site for Duck, Henry Jones and Thomas Chatterton to explore their relationship to power.

He writes in the opening lines: Shall Waller’s Verse St. James Groves refine, And Windsor’s, POPE, outcharm themselves in thine! 10 After rehearsing a learned list of poetic predecessors, Aram opines that the task of depicting Studley’s charms devolves upon him, ‘of all others far more unfit,/With Art and Nature, to match Art and Wit’ (lines 15–16). For the remainder of the poem, Aram continues to demonstrate his debt to his literary precursors. He quotes Pope in describing the ‘genius of the place’ and imitates Milton with an inventory of the flowers found in the Park.

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British Labouring-Class Nature Poetry, 1730-1837 by B. Keegan

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