By Dorothee Birke, Tilmann Köppe
The excellence among writer and narrator is among the cornerstones of narrative thought. long ago twenty years, even if, scope, implications and results of this contrast became the themes of dialogue. This quantity deals contributions to those debates from diverse vantage issues: literary reports, linguistics, philosophy, and media reports. It therefore manifests the prestige of narrative conception as a transdisciplinary undertaking.
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Extra resources for Author and Narrator: Transdisciplinary Contributions to a Narratological Debate
E. to escape her loneliness. Now, it could be held that Giovanni should have known for some time that Beatrice is innocent and a thoroughly good person. 1349). But maybe knowing Beatrice’s true essence at this point of the narrative is simply asking too much of Giovanni. 1343). Furthermore, he knows that after having spent a lot of time with her, he is now poisonous too. Hawthorne’s point with regard to this might be that Giovanni needs to listen to his heart, which might tell him the truth about Beatrice.
Note also that within the differing lines of argument often similar points are made, although in different contexts and from differing perspectives. In this paper I will mainly discuss (3) because it entails a more modest claim than (1) and (2): whereas the proponents of (1) and (2) often maintain that no heterodiegetic fictional narration has a narrator, the defenders of (3) limit themselves to the claim that some heterodiegetic fictional narrations do not present a narrator. But as some of the arguments proposed by (3) are similar to those advocated in the other two approaches I will occasionally comment on some aspects of (1) and (2) as well.
Their very existence depends on prescriptions to imagine, works of fiction, authors of fiction, and the institution of fiction. To claim that a fictional narrator establishes a fictional fact is thus to put the cart before the horse. In order to establish a fictional fact, you need to create or change an actual work of fiction. 23 2. Our interpretation contains claims about Hawthorne’s intentions. We have repeatedly made claims that implicitly or explicitly refer to Hawthorne’s intentions. ” Now, many people think that literary critics should never make any straightforward claims about what an author does, achieves, intends, thinks, tries to say, and so on.
Author and Narrator: Transdisciplinary Contributions to a Narratological Debate by Dorothee Birke, Tilmann Köppe