Get A Carrion Death (Detective Kubu, Book 1) PDF

By Michael Stanley

ISBN-10: 0061871613

ISBN-13: 9780061871610

Smashed cranium, snapped ribs, and a cloying odor of carrion. go away the physique for the hyenas to devour—no physique, no case.

But while Kalahari online game rangers discover a human corpse mid-meal, it seems the homicide wasn’t excellent in the end. adequate facts is left to signify foul play. Detective David “Kubu” Bengu of the Botswana legal research division is assigned to the case.

Kubu’s character and body fit the moniker. His nickname is Setswana for hippopotamus—a likely docile creature, yet one of many deadliest at the continent. underneath Kubu’s friendly floor lies a similar unwavering get to the bottom of that makes the hippopotamus so deceptively harmful. either will trample every little thing of their route to achieve an goal. And starting with the suspicious carrion loss of life, the smart detective battles to resolve the tangle of crime and corruption.

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Extra info for A Carrion Death (Detective Kubu, Book 1)

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Carolyn Dinshaw (1999, p. 35) suggests that ‘appropriation, misrecognition, disidentification: these terms that queer theory has highlighted all point to the alterity within mimesis itself, the never-perfect aspect of identification’. Our way of being bad scholars might serve to point out that scholarship depends on identification of various sorts, none of which is entirely satisfactory. Other critics have contested the contemporary fetish of sexual difference as a basic belief of research into sexual history.

Lehmann (eds), The Reel Shakespeare: Alternative Cinema and Theory (Cranbury, NJ: Associated University Press). Rubin, G. (1975) ‘The Traffic in Women’, in R. R. ), Toward an Anthropology of Women (New York: Monthly Review Press). com - licensed to Universitetsbiblioteket i Tromso - PalgraveConnect - 2011-04-02 36 Sedinger, T. (2007) ‘Theory Terminable and Interminable: On Presentism, Historicism, and the Problem of Hamlet’, Exemplaria, 19, 455–73. Seidl, M. (2002) ‘Room for Asta: Gender Roles and Melodrama in Asta Nielsen’s Filmic Version of Hamlet (1920)’, Literature/Film Quarterly, 30(3), 208–16.

This is why drag performances can be seen to subvert both gender and time. They show that the seeming continuity of gender cannot be taken for granted, but can be interrupted. Usually, the temporal disjuncture in gender performance through drag, cross-dressing or transgender is interpreted away by separating a biological female essence from male behaviour, but, as Butler has shown, it is impossible to clearly demarcate what – bodily shape, genitalia, brain patterns, hormone levels and habitus – is still part of biological essence and what is acquired.

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A Carrion Death (Detective Kubu, Book 1) by Michael Stanley


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